July's Second Saturday Art Openings (Yes, Really) - A Cautious Tiptoe Toward Normalcy

July 2020 brings the return, kind of, of Second Saturday. Seven venues have in person openings, whether on windows or in very strictly spaced indoors. Clockwise from top right: Mr. Kum Kum’s Silent Killer at Clutter Gallery, one of three shows there…

July 2020 brings the return, kind of, of Second Saturday. Seven venues have in person openings, whether on windows or in very strictly spaced indoors. Clockwise from top right: Mr. Kum Kum’s Silent Killer at Clutter Gallery, one of three shows there; Mother Altar by Chie Fueki at Mother Gallery, in the windows or by appointment; My Way, Gee’s Bend quilting and abstract works at Parts & Labor; an entry in Help Feed Beacon, a fundraiser and show at Bau Gallery; and Slippage as Form, works by Edwin Torres in the storefront windows of No.3 Reading Room and Photo Book Works.

It’s Second Saturday, when in the Before Times, Beacon would throw a big party with lots of art and wine and snacks. It was really fun. But it’s been a few months since in-person things mostly closed down (thanks, corona) and we’ve focused on online exhibitions, social justice/protest art, and taking care of the general health of those close to us.

So, to be honest, the seven in-person exhibitions this week caught us at A Little Beacon Blog a little off guard. Some shows are windows-based (Mother Gallery, No.3 Reading Room and Photo Book Works); others are indoors, with strict plans and rules on capacity (Parts & Labor, Clutter, Bau, Howland Cultural Center, RiverWinds Gallery). The shows do look pretty neat, but if you plan to keep staying home (the forecast isn’t great), local galleries are offering lots of digital alternatives to explore. We've got it all covered in Beacon’s most comprehensive Art Gallery Guide.

This month’s Second Saturday Art Gallery Guide is sponsored by No. 3 Reading Room and Photo Book Works, at 469 Main Street, down toward the east end of Main Street, where you’ll find not just rotating exhibits, but cool collections of handmade books that the public is encouraged to peruse. Owner Paulette Myers-Rich has found new veins of creativity, coming up with ways to engage readers and consumers of art via her storefront windows.

While you're out and about doing Second Saturday, stop by our sponsors and support the businesses who support us! You too can become a sponsor at any time.

Get the Art Gallery Guide

No. 3 Reading Room and Photo Books Works Creates Window Display For Second Saturday Exhibit

PBW Storefront Torres 1.jpg

No.3 Reading Room & Photo Book Works
469 Main St., Beacon, NY
July 7 – September 10, 2020

Message From Paulette Myers-Rich, co-owner of No.3 Reading Room & Photo Book Works:

Despite the phased reopening of businesses in New York, No.3 Reading Room & Photo Book Works will remain closed for the time being. But as it’s summer, with many folks out-and-about, Beacon’s Main Street is coming back to life at last, so I felt it was time to reactivate the reading room by installing the visual poetry of Edwin Torres in the storefront’s windows as 17×22″ archival pigment prints.

I’ve admired and followed Edwin’s work for many years and had scheduled an exhibit of his work for earlier in spring, but like many things, this had to be postponed. However, the storefront windows are a perfect place to present these dynamic poems that Edwin calls “Slippages” which are the visual corollaries to his spoken word poetry that employs sound and vocalizing as much as meaning and language. Edwin’s performative work as a poet from the Nuyorican diaspora, accompanied by his visual graphic work within the tradition of Concrete Poetry and Asemic Writing, situates Edwin in a rare and remarkable place. He excels in both forms, flowing from one to the other, cross-referencing the literal, the aural and the visual. These are not separate bodies of work, but a hybridity of forms in an ongoing dialogue that results in new possibilities for insight. Of his visual poetry, Edwin writes:

These pieces are about the dynamics of human connection, using the alphabet as a form for making new realms. I’m interested in our seventh sense; consciousness, connected to the etheric body, that subtle body hovering over the physical body—the slippage between realms as a form for language—the spaces between the immediate and the known, a negative/positive dynamic that sets root in language.

What happens to how we talk with each other, as we enter the world we inhabit—our perceived form? Can we look at the world we’ve made for ourselves and notice the slippage between the senses—our seeing-hearing-talking voice? Where, in there, can we discover our basic survival skills; how to be, how to learn, how we’re doing?

By stripping away imagery to its core reception, dynamic landscapes of space and volume are offered as totems of incomplete mobility, etheric possibility—no answers here, no stopping. In using the graphic shapes of the marks we grew up with, of gestures we’ve embodied, can the alphabet we know evoke new talking, in ways beyond the poem, beyond the visual? Or maybe we need to understand each other first, before something new can start?

All images are available for purchase as archival pigment prints.
Please contact photobookworks@gmail for further information.



About the Artist:

Edwin Torres is the author of nine books of poetry including, XoeteoX: the infinite word object (Wave Books), Ameriscopia (University of Arizona Press), The PoPedology of an Ambient Language (Atelos Books), and is editor of the inter-genre anthology, The Body In Language: An Anthology (Counterpath Press). Anthologies where his work appears include, Fractured Ecologies, Who Will Speak For America, American Poets In The 21st Century: Poetics Of Social Engagement, In/Filtration: A Hudson Valley Salt Line, Postmodern American Poetry Vol. 2, Kindergarde: Avant Garde Poems For Children, and Aloud: Voices From The Nuyorican Poets Café.

Edwin is a lingualisualist; rooted in sight and sound, and has performed his multi-disciplinary bodylingopoetics worldwide. Fellowships include, NYFA, PEN America, The Foundation for Contemporary Art, Lower Manhattan Cultural Council, and The DIA Arts Foundation. He has exhibited his visual text at Chicago’s Center For Book Arts, in an exhibition entitled “Poesis: A Visual Language,” and was part of The Drawing Center’s “Open Studios” residency in NYC, where he first developed his slippage forms.

He has created/destructed/emerged with a wide range of collaborators, including locally as Sowndhauz, an electro-lingo duo with Matt Harle on sownd. Edwin has always explored the boundaries of form and presentation, of his work, Eleni Sikelianos says, “There are experimental poets, Torres may be the experiment.”

This summer, Edwin is giving a virtual workshop through The Liminal Lab entitled, “Feel Recordings: Hearing The Voice Of The Body.”

To order books by Edwin Torres, visit Small Press Distribution:


Edwin Torres is a resident of Beacon, NY and his bio can be viewed here.

Pete Seeger's Granddaughter, Moraya Seeger DeGeare, Launches City-Wide Art-Based Protest

moraya bff black lives matter mural.jpg
moraya bff to my racist earth poster.png

Moraya Seeger DeGeare MA, LMFT is a therapist with BFF Therapy located here in Beacon on Rombout Avenue, and has just launched a big protest art project. As the granddaughter of Pete Seeger, activism runs through her blood. As Idealist.com explained in their interview with Moraya: "Taking action to fight for social justice was in her blood. 'I grew up going to rallies,' she says. 'Activism is really normal for me.' Ten days after giving birth to her second child, she could not take to the streets to protest, so she thought up a different way to participate through an art-based protest she has identified as #ToMyOldRacistEarth.

It’s important to note that Moraya provides culturally competent psychotherapy for youth through adulthood with a specialization working with Deaf and multicultural communities. Her area of expertise is racial identity development, relationships, and mixed-race couples. She is a Licensed Marriage and Family Therapist who specializes her work to Emotionally Focused Therapy for people in relationships. Her work specializes in providing culturally competent care with people of color and the LGBTQ+ community.

About “To My old Racist Earth”

Moraya took inspiration from her grandfather's song "To My Old Brown Earth," and created "To My Old Racist Earth" for her art-based activism. Beacon businesses and residents have already started, like Studio Beacon, a cycling and boxing fitness center on Main Street that is rooted in community.

“I will be the first to say that having a baby in 2020 has been a “different” experience. These babies of ours are born in a time of pandemic and uprising. As we look for the good, it also means that our children will know a life that’s always been …

“I will be the first to say that having a baby in 2020 has been a “different” experience. These babies of ours are born in a time of pandemic and uprising. As we look for the good, it also means that our children will know a life that’s always been filled with deep conversations & protest ✊🏽Thank you @the_abbys for venturing out with your babies to make some chalk art! I told y’all Beacon is the most magical community.” - Moraya Seeger DeGeare. Photo Credit: Studio Beacon

The “My Old Racist Earth” Project Has Two Parts:

“I am here for this Cramer cousins collaboration, some quick work between Massachusetts, Minnesota, and New York to create this magic. Feeling an extra level of love, allyship and support. Check out @twincitiesmakerscollective for more extraordinary…

“I am here for this Cramer cousins collaboration, some quick work between Massachusetts, Minnesota, and New York to create this magic. Feeling an extra level of love, allyship and support. Check out @twincitiesmakerscollective for more extraordinary protest art supporting the movement.” - Moraya Seeger DeGeare. Photo Credit: Moraya Seeger DeGeare

Moraya will explain how the project works in her own words. It’s important to hear from project or movement organizers in their own words sometimes, so that you can get the feel of a particular protest:

Part 1:
"The first is the visual. Truly any medium that inspires you. Chalk art outside if you have the space. It’s fun, yet temporary. This one has already washed away with the rain (pictured above). So we will be doing new ones all week, and especially on July 3rd. I encourage you to make signs, posters, murals, t-shirts, I told my cousin to make a #BLM in the corn field next door 🤣 Anything form that inspires you.“

Part 2:
”Now the second part is key also. Start drawing and start the conversations 🙏🏽 Some of us don’t have the privilege not to have these conversations. I challenge all of you to lean into the discomfort. I mean, this picture (above and in the flyer) is me two weeks post postpartum sitting on the ground..... the movement doesn’t stop for anything. So excited to see and hear what you create.”


When Moraya sees the protest sign All mothers were summoned when George Floyd called out for his mama, “my heart shatters,” she shared on her Instagram for the project.

In a letter to her friends, and in her Event description for this movement, Moraya tapped into her life with her grandfather, Pete Seeger: “I’m channeling the energy of those who knew they saw injustice but knew they had to stand alone in it sometimes. I tap into my grandfather Pete Seeger’s energy with this one. If you ever visited the Hudson Valley in the late 1990s or early 2000s, you might remember seeing him, by himself, standing on the corner of Route 9 and 9D every single week (if he was not traveling) with his “PEACE” protest signs. It was on the calendar in our family home for years.”

“Grandpa would always welcome people to join him, although he didn’t need a big organized event for him to embrace his need to protest. As he grew older others would drive and hold protests to end climate change; stop the war; and to protect our children, to name a few. He didn’t need it to be big, he just needed to protest. He wanted just one person sitting at that light to challenge the system with him.”

Moraya hopes to see a decorated town on July 4th: “How beautiful would our towns be waking up on July 4th decorated with your artwork? Decorated with our hurting hearts and our children’s love.”

To join in the movement protest digitally, tag the Instagram accounts: @ToMyOldRacistEarth & @BFFTherapy

Use the Hashtag #ToMyOldRacistEarth on Instagram, Twitter and Facebook.

Juneteenth Art Needed For Commemorative Post

juneteenth art needed.png

Have you made Juneteenth art to commemorate the day? A Little Beacon Blog wants to post a celebratory image for today, but need artwork made by you - it’s your day, your depth. We are looking for black and brown designers for this assignment, as the interpretation of the design is significant. We can only pay $50 for the art. If we get a lot of submissions, we’ll figure it out because we’ll want to show a bunch. ❤️ Please email it to editorial@alittlebeaconblog.com, or post it on Insta and tag us!

Get Your Tickets! Beacon Open Studios Fundraiser February 2020, With Roaring 1920s Theme

Get your dancing shoes ready, it’s a Roaring ‘20s Costume and Fundraiser Ball for Beacon Open Studios! Join in with the art project on Saturday, February 22, 2020, at St. Rocco’s Society at 26 S. Chestnut St. for Back To The Twenties as they travel back in time to the 1920s. The fundraiser is to help raise money for this year’s Beacon Open Studios annual event this coming May. Tickets are $35 and can be purchased online here. Tickets can be purchased at the door, but at a higher price. Get the deal price now!

Throw on your favorite 1920s outfit, put on your dancing shoes, enjoy some delicious food and drinks, swinging music and great company!

Beacon Open Studios is a fiscally sponsored project through Beacon Arts. It is also made possible with funds from the Decentralization Program, a regrant program of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Arts Mid-Hudson. Beacon Open Studios also receives monies through fundraisers like this, and sponsorships.

Artists And Their Studios Wanted: Registration For Beacon Open Studios 2020 Going On Now

beacon_open_stu.jpg

Registration for Beacon Open Studios (BOS) 2020 is now open and you can sign up as an artist for this year. BOS 2020 will take place the weekend of May 15-17, 2020, which is not Second Saturday weekend, for those keeping track. This gives the city-wide art exploration event its own space to stretch without competing with the prior weekend’s schedule. This event is open to everyone. Some participating artists are professionals in other fields who commute to other cities and towns during the week, and only show off their passionate works in their studios here in Beacon.

In other words, this could be your only chance all year to see the work of these artists. And see behind the curtain. Registration closes April 8, 2020. A Little Beacon Blog is a proud sponsor once again of this event.

What Is Beacon Open Studios?

Once a year, artists of Beacon, New York, open their art studios to the public. This free, city-wide, weekend-long event has become one of the largest of its kind in the Hudson Valley. This year marks their 12th Anniversary! This event is an opportunity for the public to see how local artists’ art gets made.

In the past, spaces have included garages, sheds, apartments, offices, and other nontraditional venues of viewing art. It’s a fun way to get connected with your community and learn more about local artists, some of whom are famous nation- or even worldwide. You can pick up a map at various locations. Identify an open studio by a large red dot on a yard sign out in the lawn.

Register As An Artist

If you are interested in participating this year, register by clicking the link here.

Become A Sponsor

Not an artist but still want to get involved and show support? You can become a sponsor too by clicking here! A Little Beacon Blog has been a sponsor for this popular annual event for the last few years and is glad to be back again this year.

Elementary School Children Share Art In Howland Public Library Show

art-is-elementary-MAIN.png

Walk to the back of the Howland Public Library, past the teen section with the neat origami book design on the shelves, and enter the Community Room to see the “Art Is Elementary” show put on by the art teachers of the four elementary schools in the Beacon City School District. The show continues through Saturday, February 1, 2020.

From the Howland Public Library’s Instagram: “Thanks to Mrs. Farkas, Mrs. Pezzo and Mrs. Wurtz for sharing your students’ artwork with us. Such a great show. We have so many talented young people in Beacon!”

The children work with many mediums of art, including pencil, tin, marker, and others.

BeaconArts Holds Annual Meeting For 2020 Board Elections On Wednesday

beacon-arts-holds-annual-meeting-for-2020-votes-MAIN.png

BeaconArts, the multifaceted art organization that started in 2002 and helped revitalize Beacon by making arts projects accessible through their fiscal sponsorship programs, is holding their annual meeting to go over financials and revised bylaws, and to elect or re-elect board members on Wednesday, January 29, 2020 at Industrial Arts Brewing Company from 6:30 to 8 pm. (Read our recent feature on Industrial Arts and the food truck you’ll find there, Eat Church.)

Additional candidate nominations are being accepted via email through Tuesday, January 28, 2020. Email meghan@beaconarts.org with a nomination. You must be a current member of BeaconArts to vote. You can renew or start your membership here.

BeaconArts can be credited with being involved with or a fiscal sponsor of several projects you are familiar with, including Beacon’s new free bus, the Beacon Free Loop (the G line), art in the bus stations, Beacon 3D (public art sculptures throughout town), Beacon Open Studios, and more. It is because of their work, and the energy and and enthusiasm of their members, that Beacon maintains its unique vibe.

During 2019, the Board of Directors consisted of:

  • Co-Presidents: Meghan Goria & Karlyn Benson

  • Vice President: Angelique Devlin

  • Treasurer: Aaron Verdile

  • Secretary: Christina Jensen

  • Members at Large: Michelle Alumkal, Jonathan Berck, Donna Mikkelsen, Terry Nelson, Chris Neyen

  • Ex-Officio: Ed Benavente, Kelly Ellenwood

  • Past BeaconArts Presidents: Theresa Goodman, Rick Rogers, Kelly Ellenwood, Dan Rigney, Linda T. Hubbard, Sara Pasti, Ricardo Diaz

You can learn more about current and hopeful board members here.

Beacon City School District Elementary School Art Show at Howland Public Library January 18

BCSDartshow.png

The Howland Public Library is pleased to present Art is Elementary, the fourth annual exhibition of student artwork from the Beacon City School District elementary schools. A reception for the students and teachers will be held on Saturday, January 18, from 2 to 4 pm. All are welcome. The exhibit will be on view in the Community Room through Saturday, February 1.

Art is Elementary Michael D gr 3 JV Forrestal.jpg
Kayla G gr  5 Glenham.jpg

One of the library’s most colorful exhibits, Art is Elementary features work from students at J.V. Forrestal, Glenham, Sargent, and South Avenue elementary schools. The annual exhibit is organized in collaboration with art teachers Sallie Farkas, Cathy Pezzo and Susan Wurtz. Eight pieces of art were selected to represent each of the four elementary schools. The exhibit is just a small sample of the wonderful art being done by students of all ages throughout the Beacon City School District. Stop by the reception to show your support for the young artists and see their creative works.

Xochilt H gr 3 Glenham.jpg

The Howland Public Library is located at 313 Main Street in Beacon, N.Y. The Community Room is open during regular library hours. Please note the gallery may not be accessible during some library programs. Please call the library at (845) 831-1134 or consult the library calendar at beaconlibrary.org before planning your visit.

Russell Cusick Gallery Moves From Beacon's Main Street

russell-cusick-gallery-move-MAIN.png

Russell Cusick’s gallery was a Main Street staple on the far end of town near the mountain. By far end of town, we mean following Main Street all the way around the curve, beyond Tioronda and the Howland Cultural Center, to where Main Street runs parallel with the old train tracks and Fishkill Creek across from The Roundhouse.

Russell could often be seen working on his art outside, propping it up on sawhorses and chatting with passers-by. He was passionate about that end of town, often exclaiming that it was the most beautiful part of Main Street with the least amount of foot traffic. A mystery that business and gallery owners down there are still trying to solve.

Russell has closed his gallery doors on Main Street, but his art business continues. He is well-known in Beacon for his gritty personhole covers about Beacon, and lately, hats and swag. However, he is a photographer, painter, and classically trained operatic baritone (awarded a full scholarship to Juilliard School!).

Like most businesses on Main Street, especially the East End, foot traffic alone does not sustain the business. Says Russ: “I am currently doing a WHOLE LOT of wholesale-ing from my home studio/workshop. I wholesale my work locally, to Mohonk Mountain House... West Point Military Academy... Bannerman Island Trust... and also in NYC and the Gulf Coast of Florida!!!”

You can buy his hats and sweatshirts from the Beacon Falls Cafe, located up the block, and soon, on Russell’s website, www.reflectionsonthehudson.com.

The Russell Cusick Gallery has already been replaced by the custom jewelry design brand, King + Curated, who had been located across the street in the old factory building, 1 East Main.

Dream Opportunity For You To Own A Jeffrey Terreson Piece - HUGE Moving Sale Happens This November Weekend (Sponsored)

jeffrey-terreson-moving-500-MAIN.png

Remember that time when the artist Jeffrey Terreson moved to Beacon? Into 475 Main Street, the building next to the Howland Cultural Center that is currently for sale? He brought to us sculpture-like paintings that Ralph Lauren, Joseph Abboud, major interior designers, architects, and others collected. After this weekend, he is completing his move to Katonah, but before he does, he’s having a major, MAJOR art sale to make that load easier for him.

Classified as a fine artist, Jeffrey wonders why people restrict themselves to a brush in the fine art world. He uses a knife to carve the textured material he sometimes includes in his work, like sand. Or a blow-torch to melt the wax he mixes in with paint. His paintings are layered with history of his vision as it gets covered up by new layers and vision and carved into to tell new secrets.

IMG_2224.jpg

As Jeffrey closes out his Beacon chapter, he is not doing so quietly. He is having a MAJOR MOVING SALE. Yeah, we said it in all-caps. Because it’s huge. And let’s be honest, it is unusual for an artist to do. But again, let’s be honest. Jeffrey is an unusual artist.

Months ago, Jeffrey opened a new gallery in Katonah, called Forward Contemporary. He has been very busy securing his art in respected realms for a fine artist, and has written you a letter about it in this article below.

Sale For Two Days Only - Up To
80% Off Prints (Some Enhanced) and 50% Off Originals

Believe it. If you pined for Jeffrey’s art before, or worse - if you put it off because you thought you could buy it at any time, this is your time. It’s not the last time you can buy Jeffrey Terreson, of course. He is alive and well. And you can find his new gallery in Katonah. But this is the only time for this kind of sale.

There might even be bidding wars. The large white piece that some of you know so well - several have chirped up for it. So don’t wait. Text Jeffrey at (914) 772-6570. Secure the piece you want, however, with your credit card or cash. This is a first-come, first-get sale.

First-Come, First-Get.
Saturday and Sunday Only!

Here’s how this is going to work. You need to go into the gallery at 475 Main Street in Beacon, NY on Second Saturday and Sunday: November 9 and 10. Talk to Jeffrey. Get the price. Lock it in and walk away with an incredible piece of art, or make an offer and wait. The gallery is located next to the Howland Cultural Center, across from Echo.

This sale includes originals, prints, enhanced prints (meaning, Jeffrey painted on them), and other surprises you’ll find out about when you go.

Out Of Town? No Problem.
Shipping Works.

OK, fine - if you’re out of town, you can still be in on this sale. Secure a work with your credit card, and give your shipping address. It’s that simple.

Letter From Jeffrey Terreson:
“Dear Beaconites…“

In his own words, here is a parting letter from Jeffrey. You can see his take on the art industry at the moment, and his latest accomplishments. You can always visit his website at www.jeffreyterreson.com and Instagram at @jeffreyterreson_fineart.

Beacon has the best people, great friends. I love Beacon.

We are taking this wonderful experience and moving it closer to my home, in Bedford, NY. To our new space in Katonah. It is 5 miles from my home. I was up in Beacon 352 days last year. Gas alone ends up being half my rent in the new gallery. So economics played a big role in my decision to move out of the Beacon gallery.

This year has been great on several fronts. Recently, I have been working on major project with architects from San Francisco and West Palm Beach. Really exciting!

On the museum front, I have a piece juried in by the curator from Museum of Fine Art in Boston, as guest juror, into the Katonah Museum of Art, for “Sound.”

I also had a piece called “Weathered White” chosen by the curator of the Museum of Contemporary Art in Denver for their Gala show! It was an amazing gala. I am also in discussion with the Parrish Museum about a cool project. TBA. Sign up for my newsletter and you’ll get the info.

SIDE NOTE FOR ARTISTS:
One goal for all artists who take the more serious fine art path over the commercial path is to garner museum credentials. It is a complete risk. 100%. Plus the audience for sales is smaller. The work has has to be noticed.

But I know if I stop, I will never get there. So my role as an artist is to keep painting when no one is looking. When they do see, I will have the equity in my work to engage the opportunity. You just cannot wait for opportunity to show and not be prepared. We are what we manifest. It is a full-time commitment.

The future for me holds more China engagement, some art fairs and bringing new artists to the gallery in Katonah. The Katonah space is really special. Please come and visit. I invite all to stop by. Of course we are on Instagram, which is really becoming the “website “ for our industry. Visit us at @forwardcontemporary on Instagram.

But come see me on November’s Second Saturday in Beacon.

—Jeffrey Terreson

Photo Credit: Jeffrey Terreson

Photo Credit: Jeffrey Terreson

Photo Credit: Jeffrey Terreson

Photo Credit: Jeffrey Terreson

Jeffrey Terreson moving-14.jpg

Editorial Sponsor Note: Y’all. We at A Little Beacon Blog are going to miss Jeffrey very much. From before the day he stepped foot in Beacon, he became a financial supporter of A Little Beacon Blog by way of sponsoring his announcement article. Getting to know his story was so awesome, we even published a behind-the-scenes article on the building and gallery. He has now sponsored this Moving Sale article. We thank him so much for respecting the craft of writing and getting the word out. Honestly, it’s an art to do what we do. To build a relationship with you. Jeffrey recognizes that, and we appreciate it. Thank you for supporting him!

Inside The Creative Process Of Artist Meghan Spiro's Autobiographical "Without Fear And Full Of Love"

Photo Credits: Meghan Spiro. Names of photos identified throughout this article.

Photo Credits: Meghan Spiro. Names of photos identified throughout this article.

“A Bloody, Beautiful Blooming” Photo Credit: Meghan Spiro

“A Bloody, Beautiful Blooming”
Photo Credit: Meghan Spiro

Meghan Spiro’s exhibit for October’s Second Saturday was pretty powerful.

The first I learned of it was in the grocery store checkout line, which is where most important information is traded and discussed. What stuck with me was not the subject matter, but the responses Meghan said she got from women she told about the project, which was an autobiographical visual and poetic exploration of the physical abuse she suffered during her marriage.

Therefore, we are lifting some of her photos from the show and publishing them here for more to see. At least one of them, “A Bloody, Beautiful Blooming” shown here, was featured in February 2019 at the local gallery Catalyst during their “Cycles” exhibit.

In order to help others who may harbor similar feelings Meghan experienced, this article not only displays select images of the art, but includes a deep dive into how she created the art.

About “Without Fear And Full Of Love”

“Without Fear And Full Of Love” is an autobiographical piece about surviving domestic violence and Meghan’s journey into healing, as told through photos, paintings and poetry. It debuted at BAU (Beacon Artist Union) in October 2019 and was curated by Russ Ritell, Meghan’s fellow artist and partner, who is a member at BAU Gallery.

 

“One in four women have been a victim of severe physical violence with an intimate partner in their lifetime, and I am one of them. For years, I spent my life in silence about the abuse, as it happened and in my attempts to recover. I found myself ill-equipped to handle my PTSD, my addictions, and my self-loathing. It wasn’t until I signed up to write this story and manifest these self-portraits that I actually began my deeper healing, transmuting my suffering into wisdom and my loathing into love. These poems and artwork are my truth that I bare to all who have suffered in silence over their abuse. It’s time to face our shadows in full honesty and rise above our pain in full embrace of our totality so that we may finally live without fear and full of love.”

— Meghan Spiro

 

About The Creative Process To Create The Art

“The Victim, The Vigilant, The Virtuous” Photo Credit: Meghan Spiro

“The Victim, The Vigilant, The Virtuous”
Photo Credit: Meghan Spiro

The artwork included in the show was mixed-media, to say the least. It includes photography, painting, gold leaf, wings, snow, fire, so much. For the rest of this article, we’re going to let Meghan explain in her own words how she produced it:

The Origin Of “Without Fear And Full Of Love”

Meghan:

“This is a story about my first marriage that ended nearly 10 years ago. I felt so much shame after surviving domestic violence; I didn't tell many people. I quietly suffered with my PTSD and panic attack for years. Three years ago, I decided to confront my traumas head-first, so I did ayahuasca, a visionary hallucinogenic medicine that's said to be similar to 30 therapy sessions in one night. It was then that my heart cracked open, and I saw the roots of my panic attacks and PTSD, and so began my deeper healing.

“At the same time, I made a commitment to honor my healing and journey as a series of self portraits and poetry. Sometimes the images would come first, sometimes the poetry. Some images are unhinged from any writing. I'm making a book out of it, which is nearly done, but the show provides the highlights of the story.

“My fellow artist and partner Russ Ritell, who is a member at BAU Gallery, decided to curate my show for October, which coincides with Domestic Violence Awareness Month. I feel deeply honored to have this opportunity, and I dedicate this show to him. He has been a healing presence since I met him nearly four years ago. He encouraged me to tell the story through art in the first place.”

About The Self-Portraiture - Taking And Conceiving Of Images

Photo Credit: Meghan Spiro

Photo Credit: Meghan Spiro

Meghan:

“All of my artwork for this series are self portraits. The domestic violence artwork is about what actually happened. The piece that has a wound painted on my rib, for example, is actually about him breaking my rib. In the healing pieces, they are still realistic to my healing messages more symbolic.

"The Victim, The Vigilant, The Virtuous" is about the mindset shift I experienced in my ayahuasca journey. I aimed for each piece to be seen as a visual poem, reflective of my writing that often accompanies the artwork.

A behind-the-scenes photo taken with a drone in the making of “It’s gone. I’m gone.”  Photo Credit: Mark Westin

A behind-the-scenes photo taken with a drone in the making of “It’s gone. I’m gone.”
Photo Credit: Mark Westin

“Some of my self portraits were set on a timer with a tripod, while others had the assistance of friends. I would work out the concepts ahead of time, set the lighting, backdrops, wardrobe, make-up, and a tripod or a mark for the angle. Usually the friend who was helping me would be my test model. I would fully compose the shot with them, then we would switch so I would then be the model and they would simply click the shutter.

meghan spiro Growing into new territory Letting old vines die Water, sun nourish me so I can raise to the sky.png

“As far as thinking up the concepts, they would just come to me when I was working out struggle of the lesson. Some images would come together in an afternoon, while others would take months. It depended on the setups, costumes, and compositing and digital work. There is a piece about microdosing on mushrooms that was a full collaboration with a good friend, Caren Charles. The background painting took months to manifest, and her body painting, the day of the shoot, took nearly four hours to complete. ‘A Bloody, Beautiful Blooming’ took only an afternoon, containing a simple self portrait and a still life that I did in my home.

“I digitally enhance my photos. Some of them are simply combining exposures, while others involve special effects. I'm a commercial photographer and great retoucher, so I put my commercial skills into my art for this series.”

The Use Of Gold Leaf In “Without Fear And Full Of Love”

“Mend With Gold”
Photo Credit: Meghan Spiro

Meghan:

“The gold leaf was used on a few of the photographs. The first one is called ‘Mend with Gold,’ an image about covering up the abuse. There's a Japanese method of mending pottery called Kintsugi. I always appreciated the sentiment of mending the broken to be beautiful again, and I felt like that was what I was doing to cover up the abuse. Before going out in public, I would spend an hour putting on makeup to hide all the marks. There was so much shame I felt about the abuse then. I was afraid to tell anyone. We carried on in public like it didn’t exist.

“There's a couple more pieces with gold leaf, photo transfers on marble. These two pieces call in animal medicine, the bull and the owl. The bull piece is called ‘Stubborn Resilience,’ and it's really about cutting through the victim mentality to see that resiliency is the touchstone to connecting with your third eye again. I adorned the third eye in the piece with gold leaf sacred geometry.

“Stubborn Resilience” Photo Credit: Meghan Spiro

“Stubborn Resilience”
Photo Credit: Meghan Spiro

“Letting Go Is Not A Slow Slide Down; It’s A Free-Fall Until You Fly.” Photo transfer on marble with gold leaf, 16x20 Photo Credit: Meghan Spiro

“Letting Go Is Not A Slow Slide Down; It’s A Free-Fall Until You Fly.” Photo transfer on marble with gold leaf, 16x20
Photo Credit: Meghan Spiro

“The owl piece is called ‘Letting Go is Not a Slow Slide Down; It's a Freefall Until You Fly,’ named for the poem that it connects to. Last spring, I accidentally killed an owl while driving, and I honored her by photographing and burying her, but before I did, I clipped and cured her wings. Her medicine was to truly teach me that lesson, whether it was circumstances, perceptions, or people who no longer served me. The image has wings behind my head where I close my eyes in surrender, while a small figure falls to my third eye.

“Mastery of Presence” Photo Credit: Meghan Spiro

“Mastery of Presence”
Photo Credit: Meghan Spiro

“The final piece that has gold leaf is ‘Mastery of Presence,’ where I'm meditating in front of a ring of fire and I'm covered in gold leaf. For the photo shoot, I covered myself in coconut oil and attached gold leaf to my face, chest, and arms then sat in front of a floral ring lit on fire in the snow. The gold here is all about celebrating my inner journey outward. I was called to these lyrics from Martin Gore that really embody the realization (more so than the poem that accompanies this piece). "Wisdom of ages, rush over me. Heighten my senses, enlighten me. Lead me on, eternally. The spirit of love is rising within me, talking to you now, telling you clearly, the fire still burns. "

“There are other threads throughout the work beyond the gold. Fire, water, and blood come up multiple times.”

Background On “A Bloody, Beautiful Blooming”

Let’s bring the focus back to the piece shown at the beginning of this article, “A Bloody, Beautiful Blooming.” A poem accompanies it that we wanted to connect you with, during this time of second looks at accepting women’s cycles as normal and celebrated, rather than hidden.

“A Bloody, Beautiful Blooming” Photo Credit: Meghan Spiro

“A Bloody, Beautiful Blooming”
Photo Credit: Meghan Spiro

“My Moon”

A Bloody, Beautiful Blooming

December 2018, I did a womb meditation guided by my close friend Melissa Robin, then I journaled, wrote a poem, then created this artwork. One of the key visions I received from the womb meditation was the rooting that occurs on a woman’s moon, and that we all hold our trauma and ancestral trauma in the womb. Menstruation gives us the opportunity to release the energies of lovers, the traumas from miscarriages, pregnancies and abuse; it taps us into the current to our emotional and spiritual realm, as we women are channelers between the spiritual and physical realms through our wombs, and our ability to channel life.

This poem and artwork was featured in the show “Cycles” presented by CelebrateWomxn845 at Catalyst Gallery in Beacon, NY in February of 2019. Read the poem in full here.


Where To Find “Without Fear And Full Of Love” And Meghan Next

Meghan is finishing a book for “Without Fear And Full Of Love.” You can experience the gallery show inside of its pages. She is head-down focusing on it now. When it publishes, we’ll feature it in our Writerly Happenings series. Follow the show’s Instagram, @withoutfearandfulloflove for updates, artwork and poetry, as well as her personal Instagram, @meghanspiro.

Also follow Meghan through her Philasophia. For instance, Philasophia Cinema Series is presenting FRIDA at Story Screen on Tuesday, November 19, 2019 at 7 pm.

Spirit Of Beacon Photo Exhibit At Howland Public Library

Over 30 people submitted the best of their Beacon photos to the second annual Spirit of Beacon Photo Exhibit, produced by the The Howland Public Library (HPL) and the Spirit of Beacon Day Committee. The artistic challenge was to find the best photo that captures the essence of the "Spirit of Beacon." Is it the people, the connection to the river, the historical buildings, the beautiful mountains, all of the above, or something else?

The photos have been chosen and will be on display starting opening night, (Second) Saturday, September 14, from 5 to 7 pm. The exhibit, curated by Michelle Rivas and Jennifer Blakeslee, will be on display through Sunday, October 6.

Stop by the library on opening night to see the annual community “portrait” of the City of Beacon. 

The Howland Public Library is centrally located at 313 Main Street in Beacon, NY. For more information, go to beaconlibrary.org.

Photo by Cindy Gould

Photo by Cindy Gould

Photo by Jennifer Blakeslee

Photo by Jennifer Blakeslee

Photo by Dylan Wood

Photo by Dylan Wood

Photo by Kevin Bertholf

Photo by Kevin Bertholf

Photo by Bill Winter

Photo by Bill Winter

Photo by Rick Rogers

Photo by Rick Rogers

Photo by Carolyn Glauda

Photo by Carolyn Glauda

Photo by Kelly Ellenwood

Photo by Kelly Ellenwood

Photo by Cynthia Careccia

Photo by Cynthia Careccia

Photo Uncredited

Photo Uncredited

Photo by Philomena Kiernan

Photo by Philomena Kiernan

Photo by Ross Corsair

Photo by Ross Corsair

Wee Play's Community Mural Project Needs Kids To Help Paint!

Wee Play Project is excited to collaborate with local artist and educator Joe Pimentel on a community mural at Memorial Park this Summer! For two weeks in August (Monday to Friday, August 12-16 and August 19-23), they will be painting all four sides of the bathroom building located right near the parking lot to the main city park and playground.

IMG_1225.jpg

Joe has worked with kids on numerous collaborative murals across the Hudson Valley, including recent murals at Glenham Elementary, Sargent Elementary, Rombout Middle, and Beacon High School. Wee Play is thrilled to have the chance to work with Joe and sure hope you can come get creative with them! To learn more about this project and sign up, click here!

Accepting Applications: Clara Lou Gould Fund for the Arts, Up To $1,000

To honor Clara Lou Gould after 18 years of service as Beacon’s Mayor (she left office in 2007), and in recognition of her support of arts and culture in Beacon, BeaconArts created a special Fund for the Arts named for Beacon’s former Mayor.

The 2019 round of applications for the Clara Lou Gould Fund for the Arts is now open. Projects to be supported include projects or programs not generally supported by other area arts organizations, including individual artists' projects, unique exhibition, performance or public art projects, arts education programs, and community projects that promote area artists and arts activities and that draw attention to the valuable role of arts and culture in our community.

Applicants themselves may be located outside of Beacon, but must provide programming or art in Beacon or support activities that benefit Beacon's arts and cultural community.

Awards will be considered up to $1,000, and the Fund Committee reserves the right to grant multiple awards of smaller amounts.

Deadline For Submission

September 6, 2019

Date Of Projects To Go Live

The 2019 Clara Lou Gould Fund for the Arts grant award(s) fund projects taking place between October 1, 2019-September 30, 2020.

Note About Nonprofit Status

Applicants must be a 501(c)(3) nonprofit organization or be fiscally sponsored by one. For information about fiscal sponsorship through BeaconArts, contact the office via beaconarts.org/contact/.

If you have questions about the application form or uploading your work samples and supporting financial documents, please contact Christina Jensen at christina@jensenartists.com.

APPLY HERE